Teresa Dillon is an artist, director and researcher whose work explores human-environment relationships, survival and interdependency through live performance, public interventions, workshops and specialist events. She has worked extensively within the arts, academia (Strathclyde University, Cambridge University/UK, Trinity College/IRL) and public sectors (Nesta, Futurelab & BBC/UK; NDRC/IRL) developing her own work, as well as co-developing educational and social digital products and services. Her work has been published internationally, she holds a Phd in psychology (The Open University, UK), focusing on teenagers creative collaborative processes using various music technologies. In recent years she has been involved in business mentoring and development, designing and facilitating various idea generation, product development and commercialisation workshops.

[EDUCATION]

PhD, Psychology, The Open University, Milton Keynes, (UK). Thesis title: Young people’s creative collaborative processes when making music in formal and non-formal settings, 2006

MA (Psychology, Glasgow University, SCT). Thesis Title: Different Drummers – The role of Music Therapy in the Lives of Young People with Learning Difficulties. Glasgow University, (SCT), 1998

Undergraduate, MA, Glasgow University, (SCT), (Psychology/Theatre), 1997

 

[EMPLOYMENT HISTORY]

Senior Content Manager, Inventorium, NDRC, (IRL), 2010-

Visiting Lecturer, ISCTE-IUL, Lisbon, (PT), 2009

Visiting Lecturer & MA Supervisor, Cambridge University, Education Department (Arts, Culture, Education MA), (UK) 2007-2009

BBC, Creative Media & Technology Department, Freelance Creative Director and Producer on Participate project, (UK), 2006-2009

BECTA, (British Education Communication Technology Agency), Freelance research contract, Digital Content, Museums and Culture, 2007

JISC, Freelance research contract, Learner Experiences of eLearning, 2006-07

Girls Day School, Freelance contract, Web visualisation, 2006

Learning and Innovations Researcher/Full-time, Futurelab Bristol, (UK), 2003-2006

Arts Resource Manager/Part-time, Art Media Project, Sheffield Council, (UK), 2002-2003

Visiting Lecturer, Sheffield University, Psychology Department, (UK), 2002

Psychology Tutor, The Open University, Summer School, (UK), 2001-2003

Events Manager/Part-time, The Stables, Milton Keynes, (UK), 2000-2001

Research Assistant/Full-time, Strathclyde University, (SCT), 1999-2000

Director, Polar Produce, (IRL), 1996+

 

[ARTIST RESIDENCES]

Pop-Up Landscapes, Transformations Project, IPI, Mação, (PT), 2009

Encountering Residency, Breda, (NL), 2009

Hangar, Barcelona, (SP), 2009

Finnish Institute Art Grant and FRAME/HIAP (FI), 2008

O Espaço do Tempo, Montemor-o-Novo, N.I.P., (New Interfaces for Performance), (PT), 2008

STEIM (Studio for Electro-Instrumental Music), N.I.P. (New Interfaces for Performance), Amsterdam, (NL), 2007

 

[GRANTS & COMMISSIONS]

Pop-Up Landscapes, Transformations Project Commission, IPI, Mação, (PT), 2009

Encountering, Art Residency, Breda, NL, 2009

Hangar Media Art Residency Grant, Barcelona, (SP) 2009

Finnish Institute Art Travel Grant, (FI) and (UK), 2009

Keys Commission, Arnolfini and Knowle West Media Centre, (UK), 2007

Finnish Institute Art Grant, (FI) and (UK), 2007

Gulbenkian Art Grant, (UK) and (PT), 2007

Brunel 200, Artist Commission, (UK), 2006

Artist Bursary, James Martin Institute, Oxford (UK), 2006

Star Radio, Artist Commission, (WAL), 2005

DTI, Department of Trade and Industry, Art and Technology Grant, (UK), 2005

Creative Bristol Art Grant, Bristol, (UK), 2005

Saganet Travel Bursary Grant, (DE), 2004

SEMPRE Bursary Grant, Society for Research in Psychology of Music and Music Education, (UK), 2003

Locws Festival Commission, Paul+Paula, Swansea, (WAL), 2002

PhD, Scholarship Grant, The Open University, (UK), 2000-2004

 

 

[ART DIRECTION]

UM: Festival for Experimental Intermedia (PT/IRL), 2011

UM: Festival for Experimental Intermedia (PT),  2009

Spinning Jenny, Fashion Show, Barcelona (SP), 2009

UM: Festival for Experimental Intermedia (PT), 2008

OFFLOAD – Systems for Survival Festival, Spike Island, Arnolfini, Watershed, Cube Cinema, Bristol, (UK), 2007

N.I.P. New Interfaces for Performance, European Touring Network (FI, PT, UK, NL), 2007-2009

Venn Art Trail, Venn Festival, Bristol, (UK), 2006-2008

Measc, Public live art/theatre performance, Bristol, (UK), 2005

 

 

[CONFERENCE & SYMPOSIUM ORGANISATION]

UM Festival, Panel Talks, Dublin, (IRL), 2011

Inventorium, Various Digital Symposium, (IRL/WAL), 2010-

Pop-Up Landscapes, Seminar, Pervasive Media Studio, Bristol, 2009

Pop-Up Landscapes, Panel, Hangar, Barcelona, 2009

UM Festival, Panel Talks, Lisbon, (PT), 2009

UM Festival, Panel Talks, Lisbon, (PT), 2008

OFFLOAD Festival, Panel Talks, Bristol, (UK), 2007

N.I.P, Panel Talks, Amsterdam, (NL), 2007

N.I.P., Christina Kubish & Lotta Melin, Artist Talks, Lisbon, (PT), 2007

N.I.P, Panel Talks, Bristol, (UK), 2007

Educational Technology Symposium, First International Society for Cultural and Activity Research (ISCAR), Seville, Spain, 2005

Free, Libre, Open Source Software for Education, NESTA Futurelab, Lakewood Conference Centre, Blagdon, Bristol, (UK), 2004

Machinista’ Artificial Intelligence and Life Seminar, Scottish Science Centre, Glasgow, (SCT), 2004

Creativity, Collaboration and Technology in the social construction of knowledge, International Conference on Social-Cultural and Activity Theory, ISCRAT, Amsterdam, Netherlands, 2002

Collaboration and learning in creative contexts, Communication, Problem Solving and Learning Conference, University of Strathclyde, SCT, 2001

Contemporary Music Practices, The Open University, Milton Keynes, (UK), 2001

 

 

[LIVE ART, THEATRE & SOUND ART PERFORMANCES]

MTD, Kunsthole, Monster Truck Gallery, Dublin, (IRL), 2010

Small Acts of Great Significance with Roy Mitchell, Andrew J. Paterson, Ken Fraser and Joe Borowiec, 7a11d Festival, Toranto, (CA), 2010

MTD, Culture Night Dublin, Market Studios, Livestock, (IRL), 2010

Slate Tracks v.1. demo performance with Tim Redfern, Interferze Festival, (IT), 2010

MTD, with Joan Healy, Working Man’s Club, Silgo, (IRL), 2010

MTD with Rasha Shaheen & Yoshino Shigihara, Kino Café, Bristol, (UK) 2008

something almost happened here, Infr’Action – Festival International d’Art Performance, Sete, (FR), 2008

haha tears, Bristol, (UK), 2008

BOP with Kathy Hinde, Bomba Suicida Studio, Lisbon, UM Festival, (PT), 2008

BOP with Kathy Hinde, Pixelache Festival, Kiasma Theatre, Helsinki, (FI), 2008

BOP with Kathy Hinde, Venn, Arnolfini Gallery, Bristol, (UK), 2007

BOP with Kathy Hinde, STEIM, Amsterdam, (NL), 2007

Taking Ground with Kathy Hinde, Swen Steinhauser, Tanya Steinhauser, Dominic Fyett & Mary Southcott, Brunel 200 Commission, Bristol, (UK), 2007

Come Outside with Kathy Hinde, Philip O’Dwyer, Maarten De Laat & Tom Bugs, Enter_ Festival, Cambridge, (UK), 2007

Star Gone Tones, Star Radio, Cardiff, (WAL), 2005

Dreams of If and Then with IMTMJ, The Arches, Machinista Festival, Glasgow, (SCT), 2004

Enduring Love supported by Paul Jeff as Paul+Paula, Experimentica 3, Chapter Arts/G39 Gallery, Cardiff, Wales, 2003

Madeline Project with Paul Jeff as Paul+Paula, PARIP conference, Bristol, (UK), 2003

The Drifting Document’ with Paul Jeff as Paul+Paula, Locws Festival 2, Swansea, (WAL), 2002

Polis, as part of Pearson/Brookes et al, Sparkasse, Darmstadt (DE), 2001

Polis, as part of Pearson/Brookes et al, Chapter Arts Cardiff, (WAL), 2001

Sapere Aude (Dare to Know’) with Alma Theatre, 12 Days of Risk, Chapter Arts, (WAL), 2000

7:7, Bl/Breeding Ground Festival, Chapter Arts, (WAL), 2000

Works in Progress – Age of Innocence, A users Manuel, Workers Playtime’ with Pearson/Brookes et al, Chapter Arts, Cardiff, (WAL), 1999

 

 

[GROUP SHOWS]

Pop-Up Landscapes, Mação, (PT) 2009

Do you believe? Encountering Residency, Breda, (NL), 2009

Pop-Up Landscapes, EME3, Collapse, CCCB (Centre de Cultura Contemporània de Barcelona), Barcelona, (SP), 2009

Pop-Up Landscapes, Hanger, Barcelona, (SP), 2009

Water Well, v1, N.I.P., O Espaço do Tempo, (PT), 2008

where is the line with you, Spike Island Studio Opening, Bristol, (UK), 2008

seeing at a distance, Arnolfini and Knowle West Media Centre, Bristol, (UK), 2008

‘…it’s a loving baby’ Spike Island as part of s part of Can Altay’s installation/ presentation series, ‘AY AHALI! / Setting a Setting / Letting a Setting Go’, at Spike Island, (UK), 2007

Star Gone Tones, Star Radio, National Museum of Cardiff, Cardiff, (WAL), 2005

Enduring Love, Experimentica 03, G39 Gallery/Chapter Arts, Cardiff, (WAL), 2003

Madeline Project as Paul+Paula, PARIP conference, Bristol, (UK), 2003

The Drifting Document’ as Paul+Paula, Locws Festival 2, Swansea, (WAL), 2002

 

[WORKSHOPS]

My Magnetic Sense with Tim Redfern, Human+ Exhibition, Science Gallery, Dublin, 2011

Inventorium, Various digital idea generation workshops (www.inventorium.org), 2010-

Pop-Up Landscapes, Communicating a Sense of Place, Mação, (PT), 2009

Pop-Up Landscapes & Wiki Planning Workshop, Hangar, Barcelona, (SP), 2009

Participate, Various school/environmental sensor workshops, 2006-2008

Futurelab, Various digital prototyping workshops (www.futurelab.org.uk), 2003-2006

Various Performing Arts, Community Workshops, AMP (Arts & Media Project), Sheffield (UK), 2002-2003

Manchester Youth Theatre, Summer School, Manchester (UK), 2001

Performing Arts Workshop, Secondary School, Luton, (UK), 2001

Various Community Theatre Workshops, Glasgow University, 1996-1997

 

 

[ACADEMDIC: PEER REVIEWED PUBLICATIONS]

Woodgate, D., Stanton, D., Glancy, M., Crellin, D., and Dillon, T. Using Moblie Devices Plus Internet Technologies to Provide an eScience like Experience for School Children, in Multiplatform E-Learning Systems and Technologies: Mobile Devices for Ubiquitous ICT-Based Education, Goh, T Tiong (Ed). IGI-Global, 2009

Dillon, T. Way finding: The formation of trust and understanding in new creative partnerships, UNESCO Observatory E-Journal, Multi-Disciplinary Research in the Arts, UNESCO, 2008

Conole, G., de Laat, M., Dillon, T., and Darby, J.‘Disruptive technologies’, ‘pedagogical innovation’: What’s new? Findings from an in-depth study of students’ use and perception of technology’, Computers & Education, 50, 511-524, 2008

Dillon, T. ‘Collaborating and creating on music technologies’.

International Journal of Educational Research, 39(8), 893-897, 2003

MacDonald R.A.R., Mitchell, L., Dillon, T., Serpell, M.G., Davies, J.B., & Ashley, E.A.‘An Empirical Investigation of the Anxiolytic and Pain Reducing Effects of Music.’ Psychology of Music, 31(2), 187-203, 2001

 

 

[ACADEMIC: INVITED BOOK CHAPTERS]

Dillon, T.‘Current and future practices: embedding collaborative music technologies in secondary schools’. In Burnard, P., and Finney, E. (Eds). ICT and secondary music. Open University, 2007

Dillon, T. ‘Hail to the Thief’: The appropriation of music in the digital age’. In O’Hara, K and Brown, G., Consuming Music Together: Social and Collaborative Aspects of Music Consumption Technologies. Springer., 2006

Bacon, S., and Dillon, T., ‘Opening Education: The potential role of Free, Libre and Open Source approaches in education. NESTA Futurelab Review, 2006.

Dillon, T.‘It’s in the mix baby’: exploring how meaning is created within music technology collaborations’. In Miell, D., and Littleton, K., Collaborative Creativity, Contemporary Perspectives. Free Association Books, London, 2004

 

 

[ONLINE PUBLICATIONS]

Dillon, T. Various blog posts at www.inventorium.org, 2010-

Dillon, T. Editor Inventorium Newsletter, 2010-

Dillon, T. ‘…its all about the position baby! In Virtual Platform Present E-Culture, Virtual Platform, The Netherlands. Invited author, 2009

Dillon, T. ‘Pervasive and ubiquitous computing’, Online publication for Futurelab.Press, 2006

Dillon, T. ‘Adventure Games for Learning and Storytelling’, A Futurelab prototype context paper: Adventure Author, Futurelab, 2005

Dillon, T. ‘Wireless Sensing Networks: An Overview of US development’, Online publication, Futurelab. 2005

Dillon, T. ‘Computer game theory: narrative versus ludology’, Online publication, Futurelab, 2004

Dillon, T. ‘Wired ways over calm cities’, Online publication for Futurelab , 2004

Dillon, T. ‘Machinista’, Online publication for Futurelab and Guardian Online, 2004

 

 

[INVITED TALKS/LECTURES AND CONFERENCE PRESENTATIONS]

Art Talk (online), Film Studies, Instituto Politécnico de Tomar, Tomar, (PT), 2010

Launch of Interfereze Journal of Sound Cultures, Science Gallery, Dublin, (IRL), 2010

Toronto School of Art & 7a11d Performance Festival, Toranto, (CA),  2010

Interfereze Festival, Artist Talk, (IT), 2010

Gear Festival, Keynote Presentation, Portugal, 2010

Pop-Up Landscapes, Leeds Festival of Design Activism, Leeds (UK), 2009

Pop-Up Landscapes, Seminar, Pervasive Media Studio, Bristol (UK), 2009

Pop-Up Landscapes, Transformations Seminar, Maçao, (PT), 2009

Pop-Up Landscapes and Wiki Planning Workshop and Talk, Hangar, Barcelona, (SP), 2009

Wild Combinations – Trust and Community Building within Artistic Practice, UM Festival, Lisbon, (PT), 2008

It’s all about the position, baby!, Location Virtual Platform, Amsterdam, Art, Mediated by Technology, The Netherlands, (NL), 2008

Trust and Interdependency, Pixelache Festival, Helsinki, (FI), 2008

N.I.P – New Interfaces for Performance, Artist Talk, STEIM, (NL), 2007

N.I.P. – New Interfaces for Performance, Artist Talk, Gallery Lisboa20, (PT), 2007

N.I.P. – New Interfaces for Performance, Artist Talk, Watershed, Bristol (UK), 2007

Conole, G., de Laat, M., Dillon, T. and Darby, J. (2007), ‘A study of students’ experiences of technologies’, EARLI 2007 conference, September, Budapest (HU), 2007

What’s new? Findings from an in-depth study of students’ use and perception of technology, paper in the proceedings of the CAL 2007 conference, 26th-28th March, Dublin, (IRL) 2007

The Art of Taggin, Invited Artist Talks, eSci/Grid Technology Seminar, Bristol University, Dept of Drama, Bristol (UK), 2006

Invited Artist Talk, Centre for Research on Networked Learning and Knowledge, University of Helsinki, (FI), 2006

Taggin’ Workshop’. Invited Artist workshop on databases and concepts of technological tagging, Bristol University, Drama Department, Bristol, (UK), 2006

Learners Experience Project, Paper Presentation at ALT-C, Edinburgh, (SCT), 2006

Crossing the boundaries: Art and Science, Invited Artist Talk, Tomorrow’s People: The Challenges of Technologies for Life Extension and Enhancement, James Martin Institute, Said Business School, Oxford, (UK), 2006

Invited Artist talk, Department of Media and Film, Sussex University, Brighton, (UK), 2006

Artistic practice, new media and research. Invited artist presentation, Trans- Reality Game Lab, Gotland, (SWE), 2006

‘Learners Experience Project’, ALT-C, Edinburgh (SCT),  5th-7th September, 2006,

First International Society for Cultural and Activity Research (ISCAR), Seville, (SP), 2005

Waves In; Particles Out. Key note presentation, Film and Education, Brighton, (UK), 2005

Speckled Skin. Presentation at the workshop on Speckled Computing and Arts, Edinburgh University, (SCT), 2005

Machinista (machine-arts festival), Keynote Overview of AI in Art, Seminar of Artificial Intelligence in the Arts. SECC, Glasgow, (SCT), 2004.

Supporting collaborative and creative partnerships using new technologies Digital Dialogues Fostering Collaboration & Conversation in Education, The Showroom and Workstation, Sheffield, (UK), 2004

ESRC Seminar Series Educational Research & the Design of Interactive Media, Edinburgh, (SCT)(, 2004

Creating new collaborative prototypes for educations, Keynote at British Education Communication Technology Agency (BECTA), London, (UK), 2004

It’s in the mix baby; Paper presentation, 10th European Association for research on Learning and Instruction, Earli, Learning and Motivation, (IT), 2003

So what we goin’ to do? Understanding collaborative music technology compositions in formal and non-formal environments, 7th International Conference on Music, Cognition and Perception of Music, ICMPC, Sydney, (AU), 2002

Roehampton College, University of Surrey, (UK), 2 day, Lecture and workshop on music technology and video analysis given to research staff and student teachers, 2002

Collaborating on Well-defined and Ill-defined Problems. Paper presentation within symposium, “Creativity, Collaboration and Technology in the social construction of knowledge’, International Conference on Social-Cultural and Activity Theory, ISCRAT, Amsterdam, (NL), 2002

Music Collaborations in Practice – Formal and Non-formal Environments. Paper presentation within symposium, “Musical Creativity: The challenge of the social’, European Society for Cognitive Sciences of Music, ESCOM, Liege, (BE), 2002

The role of grounding in collaborative music compositions. Paper presentation, 9th European Association for research on Learning and Instruction, Earli, Bridging Instruction to learning, Fribourg, (CH), 2001

Collaboration and learning in creative contexts. Paper presentation within symposium on ‘Collaboration and learning in creative contexts’, Communication, Problem Solving and Learning, University of Strathclyde, (SCT), 2001

An investigation into British secondary school music technology practices. Paper presentation, Research in Music Education, University of Exeter, (UK), 2000

The effects of music therapy on development and communication skills in two groups of moderate learning disabled children’. Poster presentation, 7th International Conference on Music, Cognition and Perception of Music, University of Keele, (UK), 2000

An investigation into the effects of music therapy on non-verbal communication within special needs education. Paper presentation, Conference on Music Education, University of Leicester, (UK), 1999

 

 

[PRESS+CATALOGUES]

Parq Magazine, Interview, Lisbon (PT), 2009

Parq Magazine, UM Preview, Lisbon (PT), 2009

Le Cool, UM Preview, Lisbon (PT), 2009

Spinning Jenny, Spanish TV interview, 2008

Spinning Jenny,  Spanish TV interview, 2008

Pop-Up Landscapes, BCN TV interview, 2008

Pop-Up Landscapes, German TV interview, 2008

Publico, (PT), ‘N.I.P.’ Preview, September, 2007

Creative Review online, ‘OFFLOAD and Smoke Signals’ Review, October, 2007

Venue Magazine, (UK), ‘OFFLOAD’ Preview and Artist Interview, September,  2007

Evening Standard, (UK) ‘OFFLOAD’ Preview, September, 2007

Guardian, (UK) ‘OFFLOAD’ Preview, September, 2007

Metro, (Bristol) ‘OFFLOAD’ Preview, September , 2007

BBC online, ‘Come Outside’ Review, May, 2007

Venue Magazine, (UK) ‘N.I.P.’ Preview, March, 2007

Star Radio Artist Exhibition Catalog, 2006

BBC online, ‘Measc’ Preview, October, 2005

Venue Magazine (Bristol), ‘Measc’ Preview, October, 2005

Metro Newspaper (Bristol), Artist Interview, October, 2005

Locws International Retrospective (01/02) – Artists Exhibition Catalog, 2004

 

 

[AFFILIATED ASSOCIATIONS]

Interferenze – Jouurnal of Sound Art Culture (Editorial committee, invited reviewer)

IJME – International Journal of Music Education (Editorial committee, invited reviewer).

BJME – British Journal of Music Education (Editorial committee, invited reviewer).

ISME – International Society for Music Education  (Web adviser, invited 2006-08).

Rhizome – community member.

Dorkbot,Bristol – community member.